Where art helps science understand itself
Fundamental biology and biotechnology today are trying to solve problems rising from the radical transformation of human nature. In the search for solutions, scientists artificially profile stem cells, identify specific genetic traits, grow artificial organs, experiment with neural networks, cross nerve tissues from humans and mice, install technological elements into living tissue and practice cryonics.
Such practices should not exist in isolation from the traditional disciplines: art, literature, philosophy, sociology and anthropology. A close dialogue between the natural sciences and humanities is needed.
Contemporary artists take on a special role in this dialogue. Over the past 30 years, art has developed a number of tools for interdisciplinary work, namely innovative, hybrid forms of science-art and media expression, combined with deep reflection on the permeable boundaries between science and art. But more than this: the combination of science and art is necessary for both to develop.
Over the past 30 years, collaborations between artists and scientists has become a fairly common practice. There are legendary examples such as Joe Davis at MIT, orSymbioticA and Dr. Steve Potter's lab at the Georgia Institute of Technology. And then there are Russian examples, like ScienceArtLab and the Anokhina Institute of Normal Physiology, Julia Borovaya and the Faculty of Chemistry at Moscow State University, Vladimir Grig and the Faculty of Soil Science at St. Petersburg State University. Also, just last year, St. Petersburg's ITMO and Tomsk State University in Siberia launched MA programs in Art & Science.
Continuing this wave of enthusiasm, we have organized collaborations between Russian artists who work in the fields of technological art, sound art, media art, photography with the labs and science units of the Pavlov Institute of Physiology. The resulting works became part of a permanent exhibition at the Museum of Science in Pavlovsky Koltushi, itself one of the first Russian 'science cities' that has gone on to become a UNESCO heritage site

After a round of competitive selection, 16 artists from St. Petersburg, Moscow, Nizhny Novgorod and Yekaterinburg took part in The New Anthropology. They created 15 pieces ranging from technological art objects, immersive installations and works of media and sound art. A panel of experts in both science communication and art&science took part in evaluating and selecting the projects – these included Dmitry Bulatov (curator and artist), Dmitry Malkov (director of the Center for Science Communication at ITMO University), Lyubov Strelnikova (editor-in-chief of Chemistry and Life magazine), philosophers Alla Mitrofanova and German Preobrazhensky, Aleksandr Sokolov (chief editor at and Elena Rybnikova (Doctor of Science, Biology).
As a result of the collaboration between the artists and the institute, 6 of the works were created with direct assistance from scientists, 4 projects were created in constant consultation with the institute and 5 are site-specific installations that reflect on scientific practices.
The exposition is not limited to the installations and objects created for the project. Various media objects are scattered throughout, including historical and contemporary videos, photographs, texts and exhibits that speak to the work of the scientists at the institute.
The project was proposed by the St. Petersburg Techno-Art Center and implemented in partnership with the Pavlov Institute of Physiology

Curation Team and Participants
From 1932-1935, the Soviet government built the Institute of Experimental Medicine Biostation, a scientific town 22km from Leningrad in the village of Koltushi. It was made for the first Russian Nobel Laureate (1909), Ivan Petrovich Pavlov. It was the most modern scientific base of its time, where Soviet biologists and physicians worked and lived. The campus' main laboratory conducted experimental genetics relating to higher nervous activity. These words still survive on the facade of a constructivist two-story building, inside which Pavlov worked for the last 10 years of his life.
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36 Bykova St, Koltushskoe settlement, Pavlovo village
Vsevolozhsk District, Leningrad Region, 188680

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